At its final point, in Nizhny Novgorod, the project is not located in an industrial space, as it used to be, but inside an architectural monument of the 19th century. In the historical setting, Yulia Virko's paintings, created according to the laws of dreams and the unconscious, and Anthony Gelfand's take on archival material gives it a completely different reading. The sharp contrast between the bright, easily transformable constructor (invented by the architect Ksenia Lukyanova) and the historical space of the gallery allows you to feel the boundlessness of human consciousness, layers of memory, the imaginary, as it is with these themes that artists work.